Insects are only rarely depicted on pysanky. Color symbolism It is not only motifs on pysanky which carried symbolic weight: colors also had significance ukranian dating service com. This was attached to a small stick (willow was preferred) with wire or horsehair. Eternity bands Eternity bands or meanders are composed of waves, lines or ribbons; such a line is called a bezkonechnyk. The goddess is sometimes depicted with arms upraised, and the arms vary in number but are always in pairs: 2, 4 or 6. In Onyshchuk s Symbolism of the Ukrainian Pysanka she depicts pysanky with a butterfly motif, but the original design, recorded by Kulzhynsky in 1899, was labeled as being swallows tails. With the advent of aniline dyes in the 1800s, small amounts of blue and purple were sometimes added ukranian dating service com. Black and red - this combination was perceived as harsh and frightful, and very disturbing. Humans could not catch the birds, but they did manage to obtain the eggs the birds laid. The majolica glazed eggs had a brown, green or yellow background, and showed interwoven yellow and green stripes. Aniline dyes have largely replaced natural dyes. As with plants, animals were depicted in the abstract, highly stylized, and not with realistic detail. Blue - Represented blue skies or the air, and good health. In Christian times the sun symbol is said to represent life, warmth, and the love and the Christian God.
Dots, which can represent seeds, stars or cuckoo birds’ eggs (a symbol of spring), are popularly said to be the tears of the blessed Virgin. Some of the eggs were emptied, and a bird’s head made of wax or dough and wings and tail-feathers of folded paper were attached. Because of the egg’s fragility, few ancient examples of pysanky have survived. Apples, plums and cherries are depicted on traditional pysanky. Dyeing and wax removal proceeded as with traditional pysanky. Three or four were taken to the cemetery and placed on graves of the family.  No ancient examples of intact pysanky exist, as the eggshells of domesticated fowl are fragile, but fragments of colored shells with wax-resist decoration on them were unearthed during the archaeological excavations in Ostrówek, Poland, (near the city of Opole), where remnants of a Slavic settlement from the early Piast Era were found. They are usually simple arrangements of petals, six or more, and bear little resemblance to the plant they are named for. Boiled eggs were dyed red for Easter, using an onion skin dye, and called krashanky. Carnations will have a serrated edge to the petals, the flowers of the lily of the valley will be arrayed along a stem, periwinkle will have three or four leaves (periwinkle is represented by its leaves, not its flowers, on pysanky). Green represents the resurrection of nature, and the riches of vegetation. Traditional styluses are still made from brass and wood, but those made with more modern plastic handles are gaining in popularity. Crosses are fairly common, although most of those found on traditional pysanky are not Ukrainian (Byzantine) crosses. Pysanky were thought to protect households from evil spirits, catastrophe, lightning and fires.
Pysanky would be written–and dyed–in batches. The body of the rake (sometimes depicted as a triangle) is the cloud, and the teeth symbolize rain drops. These eggs were ornamented, and in the form of торохкальці (torokhkal tsi; rattles containing a small stone with which to scare evil spirits away). Highly stylized spiders (and occasionally their webs) are the most common on folk pysanky, and symbolize perseverance. Each year the serpent sends out his minions to see how many pysanky have been created. The designs are written in hot wax with a pinhead or a special stylus called a pysachok (писачок) or a kistka (кістка) which has a small funnel attached to hold a small amount of liquid wax. Rakes and combs are often depicted; both are meant to invoke a good harvest. Vazon/Tree of Life The “tree of life” motif is widely used in traditional pysanky designs. (The more daughters a family had, the more pysanky would be produced. The women in the family gathered together, said the appropriate prayers, and went to work. After the final color, usually red, brown or black, the wax was removed by heating the egg in the stove and gently wiping off the melted wax, or by briefly dipping the egg into boiling water. Zoomorphic (Animal) motifs Wolf s teeth Odessa Although animal motifs are not as popular as plant motifs, they are nevertheless found on pysanky, especially those of the people of the Carpathian Mountains. Red - is probably the oldest symbolic color, and has many meanings. They were slightly smaller than life size (2.
Travlenky –from travlenya (травлення), “etching” – are created by waxing eggs and then etching away the unwaxed areas. .